Richard Cohen

Lecturer

Specialties

Medieval Indian literary and linguistic history (800 -- 1800 CE)

136 New Cabell Hall

Office Hours

T/Th 11:00 AM - 12:30 PM

I was drawn to the languages, literatures and cultures of South Asia in college, when I studied for a year in India at the Maharaja Sayajirao University. I lived in a Rajasthani village for two years as a Peace Corps volunteer, and later specialized in the classical and medieval languages, Sanskrit, Prakrit and Apabhramsa in graduate school. In addition to my research and teaching activities, I have administered South Asia centers at several universities, as well as directed a research library for a couple of years in Hyderabad, India as a Fulbright.

My intellectual interests lie primarily in the medieval, transitional languages and literatures of north India, such as Apabhramsa, early Hindavi and Awadhi. Through such literatures one can trace the cultural continuities within South Asian civilization as it undergoes changes in response to the arrival of Islamicate cultures. I have developed an interest and specialization in Jainism through my work in Prakrit and Apabhramsa, and in early South Asian Sufism through a study of its literature, and developing material for syllabi on the role of Islam in South Asian civilization. I am keenly interested in the development of Indian cinema, particularly in the post Independence period – how it manifests political and cultural change.

Selected Publications

  • "Bridging South Asian Literary Histories: The Role of Apabhramsha in the Historiography of Early 'Hindavi' Literature," forthcoming in 2015
  • Realms of Wonder: Jain, Hindu, Islamic art of India, including Nepal and Pakistan, James Bennett (ed.) Adelaide: Art Museum of South Australia, 2014. Five contributions to the catalog.
  • Translations of poetry and prose in The Oxford India Anthology of Modern Urdu Literature , Volume One: Poetry and Prose Miscellany, Volume Two:Fiction , Mehr Afshan Farooqi (ed), Delhi: Oxford University Press, 2007
  • Essays on Jaina Art: Ananda K. Coomaraswamy . An edition of Ananda Coomaraswamy’s writings on Jaina art, with critical introduction. New Delhi: Indira Gandhi Centre for the Arts, 2003
  • “W. Norman Brown,” in South Asian Folklore: An Encyclopedia , Margaret Mills, Peter Claus, Sarah Diamond, eds., New York: Routledge, 2002, p.79
  • The Arts of India: Virginia Museum of Fine Arts , in collaboration with Joseph M. Dye, Richmond and London: Philip Wilson Publishers, 2001. My contribution involved the editing, translating and interpretation of inscribed sculptures and paintings for the catalogue.
  • "The Apabhramsa Cariu as Courtly Poem," in Studies in Early Modern Indo-Aryan Languages, Literature, and Culture , Entwhistle and Salomon (eds), New Delhi: Manohar, 1999, p.101-114
  • “Notes on the Etymology of Lila” in Vidyopaasanaa: Studies in Honour of Harivallabh C. Bhayani, Bharati Modi and Purushottam J. Mistry (eds), Mumbai: Image Publications Pvt. Ltd., 1999, p. 37-60

Hanadi Al-Samman

ha2b@virginia.edu


Griffith Chaussee

gc4n@virginia.edu


Richard Cohen

rjc8s@virginia.edu


Tessa Farmer

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Mehr Farooqi

maf5y@virginia.edu


Zvi Gilboa

zg7s@virginia.edu


Nizar F. Hermes

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Robert Hueckstedt

rah2k@virginia.edu


Bilal Humeidan

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Daniel Lefkowitz

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Bilal Maanaki

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Farzaneh Milani

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Suad Mohamed

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Mahshad Mohit

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Shankar Nair

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Abdul Nasir

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Geeta Patel

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Mohammed Sawaie

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Samhita Sunya

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